Gary Fisher
©2017-2024  Gary Fisher
Cloud Studies
Ethereal Cloud Series
For a number of years I have been photographing clouds - floating free, reflected on surfaces, tethered and untethered  to the earth. The clouds that I photograph are those that resonate with me and evoke an emotion. There is something zen about these clouids. Most are wind-whipped and evolve quickly. They are ephemeral. They are transcient. They help me think in metaphor, scales of time, and the nature of reality.   I'll sometimes go weeks not photographing a single cloud. To wait for the perfect moment in the presence of excess is an exercise in moment-to-moment awareness which in a sense is one  purpose of making  this series.

Below is a slide show of a few examples of this work from 2015 through 2018. Each of these works is copyright
© Gary Fisher.
C 2019  Gary Fisher
dye diffusion photograph
Ascendance, 2019, 4" x 2.5"
C 2019 Gary Fisher
dye diffusion photograph
C 2019  Gary Fisher
dye diffusion photograph
Shooting Star, 2019, 2.5" x 2.5"
C 2019 Gary Fisher
dye diffusion photograph
C 2019  Gary Fisher
archival pigment anaylyph stereoscopic print
Billowing, 2019, 16" x 16"
C 2019 Gary Fisher
archival pigment anaylyph stereoscopic print
C 1990  Gary Fisher
Analog, 1990, 10" x 8"
C 1990 Gary Fisher
C 1990  Gary Fisher
Storm, Vedauwoo, 1990, 10" x 8"
C 1990 Gary Fisher
C 1971  Gary Fisher
Analog, 1971, 10" x 8"
C 1971 Gary Fisher
C 1973  Gary Fisher
Grapevine #1, 1973, 19" x 13"
C 1973 Gary Fisher
(hand tinted b/w photographs, acrylic, walnut)

Fourteen hand tinted photographs of clouds are mounted on blocks of walnut and displayed on a black acrylic base. The work plays on the incongruity of the materials and the segmenting of the clouds divorcing them from objective reality.
Fourteen Clouds, 1974, 8.75"x12.5"x2"
(hand tinted b/w photographs, acrylic, walnut)

Fourteen hand tinted photographs of clouds are mounted on blocks of walnut and displayed on a black acrylic base. The work plays on the incongruity of the materials and the segmenting of the clouds divorcing them from objective reality.
(hand tinted b/w photographs, acrylic, walnut)

Two cloud photographs are mounted on a walnut pyramid and trapezoid and displayed on a black acrylic base. This work is a metaphor for the temporal impermanence.of cloud phenomena frozen in two instants of time and separated from their natural environment.
Two Clouds, 1974, 8.75"x12.1"x2"
(hand tinted b/w photographs, acrylic, walnut)

Two cloud photographs are mounted on a walnut pyramid and trapezoid and displayed on a black acrylic base. This work is a metaphor for the temporal impermanence.of cloud phenomena frozen in two instants of time and separated from their natural environment.
(hand tinted b/w photographs, acrylic, walnut)

Clouds are presented in a sculptural context removing them from their essential transitory nature.
Sky Column 1, 1974, 2.25"x4.5"x1.5"
(hand tinted b/w photographs, acrylic, walnut)

Clouds are presented in a sculptural context removing them from their essential transitory nature.
(hand tinted b/w photographs, walnut)

A sky image is incongruously captured on a pyramid rather than evanescently floating above it.
Pyramid Sky, 1974, 3"x1.75"x2.75"
(hand tinted b/w photographs, walnut)

A sky image is incongruously captured on a pyramid rather than evanescently floating above it.
(hand tinted b/w photographs, acrylic, walnut)

Clouds are presented in a solid sculptural context removed from their essential transitory nature. This work was conceived as a model for a large scale sculpture where the column could be in brushed stainless steel and the sky imagery is etched on metal.
Sky Column 2, 1974, 2.75" x 8.5" x 1"
(hand tinted b/w photographs, acrylic, walnut)

Clouds are presented in a solid sculptural context removed from their essential transitory nature. This work was conceived as a model for a large scale sculpture where the column could be in brushed stainless steel and the sky imagery is etched on metal.
C 1974 Gary Fisher
Three b/w photographs imaged on a Verafax machine. This wet process machine was prior to Xerox copiers.
Sky Sequence # 1, 1974, 12" x 9"
C 1974 Gary Fisher
Three b/w photographs imaged on a Verafax machine. This wet process machine was prior to Xerox copiers.
Selected Cloud Photographs
Early Mixed-Media Cloud Works
Early Copier Studies